An End of Sorts

Well, it’s taken me almost a year, but I’ve reached the end. When I started this blog, I had a lot of thoughts going around in my head, and I was hoping writing all this would help me clear them out. And I think it’s worked. After all this in depth analysis, I’m really looking forward to being able to just listen to my favourite band again and enjoy their music for what it is.

It’s been incredibly interesting, following their music from the earliest days right up to the present. Although I’ve certainly listened to some things in order before, I’ve never done a fully chronological play through like this before (and I almost certainly won’t do again!). Being able to hear every release, transmission and performance in context, with accompanying quotes where relevant, has enabled me to understand and appreciate Brian and Gaz’s music more than ever, and revealed some interesting things that I’d never even considered when I started this blog. I might have thought I knew everything there was to know before this, but I’ve learned so much from the process.

It’s also allowed me to reassess a lot of their music. With a lot of stuff going on in recent years, including some radical changes in sound, a ramped up release rate, some negativity on the FSOLBoard, the fanbase shift from the board to Facebook, having to deal with the nonsense Gaz writes online, and – particularly – my own mental health problems, before starting this blog I had begun to wonder if I was really a big FSOL fan still. I’d maybe talked myself into thinking I liked some releases less than I do for various reasons (largely due to an excessive idolisation of the 1993/1994 material), and that, combined with one or two recent releases I’m slightly less fond of and the lack of many conventional albums in recent years had just soured my enjoyment a bit. At this point, I feel much, much more positive about the band, their music and their future. Which is a huge relief in itself.

This has also led me to really enjoy some records in years. Although I always knew it was great, I found a new love for Dead Cities while writing the blog. After so many releases and transmissions with a particular sound, the slightly starker, more melodically beautiful and melancholic sound of the album absolutely resonated with me in a way it hadn’t done is as long as I can remember. It was really like discovering the album for the first time again. I had very similar experiences with Environments Five and Six and particularly Archived Environmental Views, which has now become one of my favourite FSOL albums. And the re-recordings have really been a source of some of the band’s best material in recent years which, along with Music for 3 Books, have been excellent albums in an era defined by tracks and mixes, which I find generally less satisfying (although not as much as certain FSOLBoard members!). I’ve even discovered an bunch of material I really like on an album I’d previously considered not my thing, The Cartel Vol. 2. With Environment Seven just around the corner, I’m enthusiastically awaiting some wonderful new material…

Not everything I’ve taken away from the experience has been positive. The first three From the Archives albums are patchier than I remember – despite a lot of great tracks on them – and, although I still adore the 2002 mispress version of The Isness, on the whole I’ve found my opinion on most of the later Amorphous material has dropped a little. It has led me to wonder whether my initial love for Alice in Ultraland and The Peppermint Tree was more to do with the lack of new Dougans/Cobain material at the time than my genuine love of the music.

My favourite FSOL and FSOL-related releases, as of 25th January 2022:

Lifeforms
Environments II
Dead Cities
Environments 4
Archived : Environmental : Views
Environment Five
ISDN
My Kingdom
The Isness (2002 Mispress)
Cascade 2020
Environment Six
From the Archives Vol. 9
Blackhill Transmitter
From the Archives Vol. 7
Lifeforms Paths
Music for 3 Books

Last but not least, thank you to everybody who’s read along, and given me feedback. I hope you enjoyed this, and maybe even learned something! It’s been a labour of love, and a difficult one at times, but knowing that other people have enjoyed it to has given me the strength to keep on writing when I’m had one of my ‘why the fuck am I spending all this time on this?’ moments (they happened far more often than you might think).

And with that, this is done. Until I remember something I’ve forgotten in a few days. I’ll keep the blog updated with new releases as and when they come along. With around seven more planned for this year that shouldn’t be too long…

Apertures – Missing Skies

Released on:
Touched by Silence

Runtime: 5:31

In 2014, I asked Brian if he’d like to contribute some of his EMS Synthi AKS sounds to a track of mine. He said send it over. It ended up turning into a whole new piece, and we decided it could be the start of a new project. The project is called Apertures, and our first track is on the Touched by Silence boxset that was home to the A Controlled Vista CD.

It’s a largely ambient piece, with my own piano playing centre stage, with growing textures and synth drones, before a subtle beat comes in towards the end. I’m not remotely qualified to be writing this about a track I made, to be honest.

Purchase from Bandcamp.

Humanoid – Stakker Humanoid (Kouncilhouse & Humanoid Remix)

Released on:
The Remixes

Runtime: 6:02

Having already created his own remix for Your Body Sub-Atomic, Kouncilhouse seems to have teamed together with Brian to create this very EDM-friendly stabby breaks remix of ‘Stakker Humanoid‘. The credits certainly mention him, although it’s hard to hear his influence anywhere in the track. His name isn’t even spelt right in the credits.

Tracklist
Digital download
1. Bitin Back – Shes Breakin Up (Kouncilhouse & Micky Finn Remix)
2. Humanoid – Stakker Humaniod (Kouncilhouse & Humanoid Remix)
3. Atomic Hooligan – Is It Real (Kouncilhouse Remix)
4. Dub Pistols – Peace Of Mind (Kouncilhouse Remix)
5. The Freestylers – This City (Kouncilhouse Remix)
6. Sparki Dee – Slipping Away (Kouncilhouse Remix)
7. Dog Town Clash Feat: Mc SirReal (Kouncilhouse Remix)
8. Mental Cube – Q (Kouncilhouse Remix)
9. Tim Healey vs Calvertron – Rock It Roll It (Kouncilhouse Remix)
10. Sparki Dee – Modern Man (Kouncilhouse Remix)
11. Freestylers Vs Pendulum – Painkiller (Kouncilhouse Remix)
12. Kuana – Steppin (Kouncilhouse Remix)

Credits
Original track by Humanoid.
Remix written and produced by Kouncilhouse & Brian Douglas.

Purchase from Bandcamp.

The Future Sound of London – Papua New Guinea / Stolen Documents

A small number of the Accelerator 25th Anniversary Edition bonus 7″s were released separately, creating a new collector’s item. For 2020’s Record Store Day, the release was reissued with full on-label artwork, in tribute to Andrew Weatherall, who had died earlier in the year.

Release date: 16th April 2016 (1st edition), 29th August 2020 (2nd edition)

Tracklists
7″ (7 RSD TOT 1 / 7 TOT RSD 1R)
A. Papua New Guinea (Andrew Weatherall Mix) (Edit)
B. Stolen Documents (Accelerated Mix)

Digital download
1. Papua New Guinea (Andrew Weatherall Mix) (Edit)
2. Stolen Documents (Accelerated Mix)

Credits
Written by Dougans / Cobain.
Engineered by Yage.
Produced by The Future Sound of London.
A remixed by Andrew Weatherall.
Published by Garber Music.

The Amorphous Androgynous – Finland (??/07)

A live gig in Finland, not once mentioned officially, and only discovered by FSOLBoard member Dell, a couple of weeks after the event. Apparently ‘The Mello Hippo Disco Show’ was played. The FSOLBoard thread received a few angry replies, including one from a Finnish fan who wished they could have attended. As I said at the time: Hey, guys, why not announce your gigs somewhere eh?

The Amorphous Androgynous – We Persuade Ourselves We Are Immortal & MPB Remixes

In line with Environment Six Plus and The Cartel Vol. 1 + 2, both We Persuade Ourselves We Are Immortal and its Monstrous Psychedelic Bubble Remix Album were released as two separate CDs in a card slipcase, exclusively through FSOLDigital and the Amorphous Bandcamp. The two releases can be purchased together digitally, too, at a slight reduction in cost to the separate editions.

Purchase from Bandcamp.
Purchase from FSOLDigital.

Homeboy – Sunshine & Brick

Released on:
Deep Heat 5 – Feed the Fever

Runtime: 3:46

A bluntly edited version of Humanoid’s ‘Sunshine & Brick’ used for a BBC youth programme and licensed to the Deep Heat 5 compilation, completely without Brian’s permission.

Credits
Written by B. Dougans.